Wednesday, 14 March 2012

VIRGINMEDIA IS SHIT


Do NOT use VirginMedia … this is my sorry saga.

I moved house on the 28th February and decided (foolishly) to ditch BT and go to Virgin as my telephone and broadband supplier. They arrived on the 8th March and connected me. On the 9th I ‘phoned to enquire if they did a special rate deal for calls to Russia (Nelli my wife is Russian and likes to chat with relatives and friends). They did – for £2.00 a month they would take my call rate down from £1.00 per minute to 10p per minute. Yippee!

So all was well until yesterday evening when at 6.30 p.m. I get a call from Virgin (I didn’t take the girl’s name) who informed me that in the past week I’d spent £250 on international calls. Now at 10p per minute that works out at a little under 42 hours worth of calls and whilst Nelli might like talking to Russia but she doesn’t talk that much. I suggested to Miss X that the preferential call rate hadn’t been put through. ‘Oh yes,’ she said, ‘but to put the changes thru you’ll have to speak to the ‘Debt Collection Department’ (Debt Collection?). I’ll put you thru.’

TIME SPENT ON THE ‘PHONE TO MISS X:                37 MINUTES

Eventually I get thru to ‘Daniel’ who seems to know nothing and who eventually admits that he’ll have to refer my problem to his manager ‘Kirsty Aitchison’ who will ‘phone me ‘definitely before 9.00 p.m.’ to resolve the situation.

TIME SPENT ON THE ‘PHONE TO DANIEL:               35 MINUTES

‘Kirsty Aitchison’ doesn’t call.

At 8.30 a.m. I call VirginMedia and am put thru to ‘Joanne’. After a lot of toing and froing we establish that maybe, perhaps I have been credited with the overcharges made. But when I ask for a statement this induces meltdown.

TIME SPENT ON THE ‘PHONE TO JOANNE:             40 MINUTES

I am transferred to ‘Andrew’ in Technical Support who explains to me that VirginMedia is so cutting edge that they don’t do statements, they do ‘on-screen billing information’. With Andre’s help I go to the VirginMedia website. I have difficulty logging on because no one seems to know the e-mail address my log-on details demand. Eventually I penetrate and am faced by an announcement that ‘no billing information is available’. Andrew scratches his head and says he will flag a problem and will get back to me.

TIME SPENT ON THE ‘PHONE TO ANDREW:           28 MINUTES

I ask to be transferred to someone who can tell me how to cancel my VirginMedia account. I eventually speak to ‘Rachel’. After much huffing and puffing – and Rachel gets very exasperated that I don’t understand Virgin-speak – I understand that:

·         I can’t see my billing information because it is only posted monthly, and,

·         It will cost me £45 to leave Virgin.

TIME ONE THE ‘PHONE TO RACHEL:                          25 MINUTES

I receive 3 identical text messages from Virgin telling me everything will be sorted in ’48 hours’.
In sum I spent nearly 3 hours (3-fucking-hours!) on the ‘phone sorting out something which WASN’T MY FAULT. Virgin screwed up and I had to waste my time unscrewing it. I’m shifting to BT!

Sunday, 26 February 2012

SUMMER END PAGES

The final sstep before 'The Demi-Monde: SUmmer' is put to bed is to provide the artwork for the endpages - that's the inside of the covers. Those of you familiar with the hardbacks of Spring and Summer might recall that these showed blueprints of, respectively, a steamer and a Zeppelin, but as most of the action of Summer takes place in the Coven - the Sino-Japanese sector of the DM - Nigel Robinson (who does the DM artwork) came up with a WarJunk, the 'blueprint' done Chinese style.



This is a representation of the ship that the Coven use to fight the ForthRight's Monitors, the inspiration being the Battle of Hampton Roads during the Covil War in America when the USS Monitor fought the CSS Virginia. Unfortunately I become TOO focussed on this and I missed a trick: in the book I refer to the Coven's ships as IronClads - the name that Nigel came up with, 'WarJunk', is so much better. Ah me.

MOVING HOUSE

I've been very delinquent regarding my blog during February and the reason is that Nelli and I have been looking for a new house. We only came to Derby so that Kit and Ellie could take up the scholarships they won at Repton and we've never really settled here. So when the kids went off to university we decided to decamp to somewhere within better striking distance of Oxford and London. After a few false-starts we've plumped for a house in Daventry which is only 70 miles from London. It's a small town but with good amenities so I think we'll be fine there. The house we've chosen is pretty unprepossessing from the outside - bunkeresque - but inside it's really very nice indeed all open plan and split level.

Chez Rees

All-in-all I'm looking forward to the move - especially as there seems to be a very active writers group in the area!

Tuesday, 31 January 2012

REMINDS ME OF DECO IN THE COMMITMENTS

Considering that the last week has been pretty hellish (pounding around the Midlands looking for a new house and being reminded that most houses are awful) it was quite nice to open up the internet today and find two great reviews of 'Winter' waiting for me.

The first was from 'The Trades' (http://www.the-trades.com/article.php?id=12880) written by R.J.Carter who describes Winter as 'part political satire, part steampunk, part cyberpunk and all parts downhill slalom race ... a ripper of a novel'. A great way to start the day.

The second was from the Lexinton Examiner (http://www.examiner.com/literature-in-lexington/demi-monde-winter-picks-up-where-michael-crichton-left-off-review) written by Jesse Coffey who gave a glowing review but then went a little further by suggesting that I might be the man to fill Michael Crichton's shoes! A trifle embarrassing. Crichton was a brilliant, brilliant writer who came up with some utterly amazing scenarios and storylines ... if I ever get half that inventive I'll be bloody delighted.

But reading Jesse's review reminded me of the great line from 'The Commitments' (a masterpiece of a film by Alan Parker) when Deco (the singer in the band) is told that he'll be jamming with Wilson Pickett. The line goes: 'Deco Cuffe and Wilson Pickett ... together at last!'

Trouble is that Deco and Wilson never did get together ... but I suppose I can dream.

PARADIGM LOGO

In The Demi-Monde series, the virtual world that is the Demi-Monde was created by a rather secretive and unpleasant company called ParaDigm CyberResearch. Although it's rather a peripheral presence in the first three books it comes more to the fore in the last book: Fall. This being the case I decided that paraDigm needed both a logo and a motto. The logo had to incorporate a clenched fist on the basis that:

The clenched fist symbol of ParaDigm Global, adopted by the organisation when it was formed in 1906, symbolises that five elements are necessary to forge a successful team. These elements – as defined by the founder of Paradigm, Beowulf Bole – are Vision, Leadership, Intelligence, Resolve and Courage. Individually they are of little worth but when brought together in the manner of fingers in a fist, they have a strength that is irresistible.

As for the motto, I finally settled on the latin tag: fortes modo tempus mutare possunt.
This done I let Nigel loose and he came up with three designs:
ParaDigm Logo 1:

I really liked this, especially the mirror-image of the name which signals the duplicious nature of the company. Unfortunately it was a little too complicated for what I had in mind.

Next up was ParaDigm Logo 2:
Very good, so it was a toss-up between this and ParaDigm Logo 3:


This is the one which got the final nod and will grace the cover of 'The Demi-Monde:Fall'!

Tuesday, 24 January 2012

SALE TIME IN THE DEMI-MONDE

I understand that 'The Demi-Monde: Winter' (US edition) is now on sale for the next week at a price of $1.99. What a bargain!

Monday, 23 January 2012

BITS AND PIECES

It's been an odd couple of weeks. Nelli and I are house hunting so I've had to fit my writing around trips to various properties. But still I've managed to do quite a lot.

First up I've submitted the last of the Demi-Monde books, 'The Demi-Monde: Fall'. After a bit of last minute tweaking it came in at just under 190,000 words which was my target and all-in-all I ain't that displeased with it. It'll be interesting to get reaction back especially regarding the carnage that accompanies the end of the first half of the book.

I also got the edit of 'The Demi-Monde: Summer' back from Merlin so I've been going thru that polishing and tweaking. It was subject to a pretty major overhaul after the first round of edits so reading it again gave me a chance to see how these sat and I'm not displeased. I swapped two chapters around and added and subtracted bits here and there but nothing mega. I've briefed Nigel regarding the artwork (a couple of PigeonGrams but nothing major) and given him some options for the blueprint that'll grace the endpages of the British edition.

Last week I was also interviewed by Rege Behe of The Pittsburg Tribune (amazing ... Pittsburg!). It seemed to go Okay. You can read it on http://www.pittsburghlive.com/x/pittsburghtrib/ae/books/s_777493.html.

Right now I'm working on a piece regarding the history of Lilith and the Lilithi for the website - good fun but difficult!